Playing Colchester EMOM 28 June 2026
The main loadout for what I’m working on right now. Spanning from pure digital coding and hardware sequencing, straight through to plugging in the bass and making physical stuff in the real world.
Smashing raw voltage into reactive geometry. I’m patching up Behringer System 100 modules to bring the heavy analogue noise, while the LZX Double Vision video synth absolutely melts the monitors in real-time. Pure hardware chaos. Turn it up to 11.
Ditching the drum machines for sweat and amplifiers. A ledger of heavy bass grooves, original tracks, and massive covers, built completely offline alongside a crew of absolute rock veterans.
Taking dead scrap and respawning it into heavy-duty, fully functional gear. Maximum upcycling, zero rubbish.
I take discarded ring pulls and strip PET plastic bottles down into ribbons to forge heavy-duty, alternative jewellery. It's essentially turning absolute rubbish into wearable, industrial-grade armour.
Nuking scrap plastic bottle tops, cranking the heat to 11, and melting them down. Once the polymer is liquid, we mould it into heavy-duty custom pendants for your neck-chains. Pure DIY upcycled loot.
Original short stories.
Meet Blanx and Tabz. He’s a human wrecking ball with the processing power of a blown amp. She’s an invisible, hyper-threaded data phantom pulling the strings. Together, this PI duo is scraping a living in the concrete grime of "The Baseline," constantly throwing spanners into the glitchy, bureaucratic mainframe of the suits known as "The Management." Expect total system chaos.